Repetition is inevitable, even necessary, in a work of nonfiction involving multiple story lines, but Hale reiterates some details too often, or too identically ... These repetitions, as well as Hale’s incorporation of so many threads that are irrelevant to the main one, start to feel like the author’s attempts to mask the fact that the cult crime story didn’t quite provide him enough material for a full book. The result is a mess of narratives and ideas, and as the pages turn it becomes clear they won’t gel into a satisfying whole.
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