Levy writes intelligently about the ubiquity of Westerns in postwar America, and he’s especially adept when tracing Eastwood’s creative trajectory ... Routinely insightful ... Levy also captures the profound efficacy of Unforgiven ... [Yet], the book’s focus on the films—which, again, can be astute—sits uncomfortably next to personal incidents involving intense violence, rampant infidelity, petty vindictiveness and even coerced sterilization ... Levy trots out these facts but is largely inattentive to their significance. He does little to attempt to reconcile the more troubling aspects of his subject, aside from passing acknowledgment that times have changed or that all people are complex.
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