Cursed Daughters
Braithwaite braids these three women’s stories into a narrative that unfolds gracefully even as it leaps backwards and forwards in time. But despite the novel’s decades-spanning scope, its story feels oddly static, even claustrophobic ... But...musings do gesture at a meaningful idea.
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Keenly awaited ... Braithwaite displays pacey storytelling, nuanced characterisation and sharp dialogue, and has female familial relations as her story’s engine ... [An] ambitious family saga ... A few quibbles: the end feels rushed and the sketchy depiction of some of the secondary male characters, such as Tolu, risks making them feel superfluous. But, overall, this is an intriguing, enjoyably immersive page-turner and a markedly different novel from Braithwaite’s bold debut.
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Braithwaite salts her world with enough echoes and omens to keep the uncanny alive ... or all its sprites and portents, it resolves into a familiar domestic melodrama, and a reasonably sedate one. Yet its ambitions are hefty: braiding Yoruba folklore with Lagos gossip, kitchen-sink drama with social critique, ghostly prophecies with self-fulfilling ones, the book tells women’s stories that reach far beyond themselves. The weight of these ambitions is palpable, but so is a new sense of poise. It is the curse of big sisters everywhere: to carry the burden and make it look light.
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