The past isn’t past, of course, and Auder does good work of describing the world from a child’s point of view ... In addition to the moving portrayal of a sisterly bond, Don’t Call Me Home is also a portrait of New York City in the ′70s and ′80s ... Part of the book’s appeal is Auder’s ability to simultaneously worship Viva while she fantasizes about wringing her neck, making this book relatable to anyone, even for those without Warhol superstars for parents ... Not to say this is a sad book. Don’t Call Me Home is very funny. Auder has the sense of humor of a person who became an adult as soon as they were born.
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