Tension between the absurd and the true is at the center of Doppelgänger, a novel about the impossibility of originality in literature when the systems built to support it become better at reproducing writers than writers are at distinguishing themselves ... Riviere’s themes are meaningful primarily to readers engaged in the business of writing and publishing. This book is not particularly interested in speaking to those outside of that world, and for the average reader, the looping digressions, page-long paragraphs, and esoteric theory may prove prohibitively arduous ... The horrible fear that Sam Riviere makes plausible in Doppelgänger is that, in a literary culture already organized around copying, the machines may prove better at being writers than we are.
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