Mosley, witty and incisive, is in the zone in the fourth King Oliver novel, following Been Wrong So Long It Feels Like Right (2025), lingering over the fashion choices, build, and temperament of each intriguing character; choreographing match-point dialogue and down-to-the-wire showdowns, paying tribute to the transporting beauty of jazz, relishing the absurd, and exploring the interplay of family and crime.
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