Like the best literary heroines, Heart Radical’s protagonist declines again and again with each new turn of the story to be subsumed by the men she meets in her travels. Even in the confusion and darkness that guides much of her odyssey, this self-professed quiet, heteronormative good girl nevertheless listens until she can hear her body and mind. To do so, she leans on her senses, on art, literature, dance, meditation, and mostly language. This writer digs until she finds and exposes that deeply human hum. Her prose is at its best in the story’s most vulnerable moments ... The narrative choice to look back from middle age at her travels 20 years ago brings an important complexity that works to pull the story forward. A creative writing professor, Kellor seems to understand this, and it is her expert framing of her younger self’s search for her true nature through the lens of language acquisition that forms the book’s spine. The most charming among these tensions are the contradictions ... Kellor has made a unique and tender contribution to the conversation about what it means to be fully alive.
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