Guy Cuthbertson has been a diligent researcher, spending many hours trawling through archives and cuttings. He has even looked through the trial judge’s copy of the book, with its highlighting of rude words. If he underplays the significance of Kate Millett’s attack on the novel’s phallocentrism, that’s because he’s keeping things light. After all the heavy moralising that went with the book, it’s the right way to go. He has produced an enjoyable piece of social history, less earnest Leavisite sermonising than saucy Ealing Studios comedy.
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