Her best in more than two decades ... The stories are about instability and shattered certainties ... An almost comically wide cast of characters ... The rap against Beattie, in sum, is that her work can be aimless, 'twee,' lacking in political and other convictions, plotless, a bit draggy. All feathers and no bird, marginalia in search of a thesis. She is too alert to the tender souls of the bolshy bourgeoisie, stirring groats on their Viking ranges. All these things are true at times, even in Onlookers. This book reminds you, more often, of why readers cared about her in the first place. She’s a dry yet earthy writer, in touch with moods and manners, with an eye for passing comedy ... She takes notes on her species, as if she were a naturalist observing robins. She pries at the mystery of life. There’s a strong feeling of convergence in her best stories.
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