She-Wolves is structured as interwoven biographies. Through a combination of original interviews and research, its protagonists are shown in all their complexities. Bren has an instinct for memorable, demonstrative detail ... There are flaws with the organizing principle of historical firsts, which can, as teaching professor William L. Smith has argued, suggest that disparities have been overcome, while elevating the story of the individual achiever over the collective whole. But She-Wolves uses the trap of firsts to destroy the trap. Bren’s interested in the work it took to get there, to stay there, and how it all felt ... If reading consecutively about so many firsts sounds a bit numbing, that’s because it is. But the two primary flaws of She-Wolves (repetitive anecdotes, extra-long accounts) are also two of its most important assets. Bren’s most recent previous history, of the Barbizon hotel, was also similarly repetitive. But the repetition is important here: a precise, singular story of a talent sabotaged by jealous male colleagues could sound like a story of one individual’s bad luck. But by piling up dozens of such instances, Bren captures the feeling of the culture, her book’s power built from accumulation.
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