[Hotta's] story of Shinichi Suzuki is clearly and well written, a great life story and, though her subject lived almost a century and she seems to have left out nothing important, is no longer than it needed to be ... Notwithstanding her admiration for Suzuki’s character, ideas, and methods, Hotta is clear-eyed about what she sees as an unrealism, perhaps even naivete, in his approach.
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