t’s not that his new novel, The Future Future, is without sex, it’s just that it’s all gone a bit flaccid, a common problem for those put under much scrutiny ... The obsequious tone of the novel might be forgivable were there anything to distract us from it. Thirlwell has never been interested in plot or character (he has relied on a Kundera-style moreish narratorial voice instead), but in The Future Future he takes the sprawling novel of ideas to the extreme. The novel bounces around like a pinball ... I say bring back the old Thirlwell. His early novels had many things wrong with them (not least an overly inflated sense of their greatness), but their playfulness and unabashed depictions of male desire are just what is missing from today’s literary scene, which, like The Future Future, has lost its libido.
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