Whatever transformation occurs reflects the brute metamorphosis of character into symbol, not the fullness of realism or the vividness of fiction ... Wants us to see how a society that treats women as naturally inferior traps, exploits, and denigrates them. Unfortunately, her plot confines these characters to another narrow set of roles, and most of them are portrayed as incapable of leaving their cage. The novel ends with the group of women gleefully giving up their own lives in exchange for small bags of luxury cosmetics—a metaphor so reductive and condescending that it scans as misogynistic ... If I were being generous, I’d say that Wood is simply reproducing oppressive social structures in fiction in order to reveal them. But I know that she can address this problem better.
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