In no small part the book is an investigation of fear as much as delight. As she explains, horror has always been a necessary part of the original experience of the sublime, alongside delight. Where many contemporary nature writers emphasise joy, Flyn leans into discomfort — physical, intellectual, moral. The result is so much richer and more serious ... And where other nature writers spatter wildlife facts behind them like scat, Flyn offers insight more often than information.