One might think that a story largely shown in a therapist’s office would be dry or clinical. In the case of the honest and enthralling The Third Person, that assumption could not be more wrong. Grove’s words are frequently messy, out of order, and beautiful like so many memories. She so clearly communicates grief, pain, hope, determination, and loneliness through not only words but also the eyes, postures, and silhouettes of her characters. This visual emotion, along with the frank and vulnerable dialogue, hits even harder because the art style is so spare. The focus is on the people, their interactions, and our protagonist’s inner turmoil. The conversational nature of the text and the focused art combine to make the novel a fast read, despite the hefty page count. The conclusion of the book makes Grove’s dedication in the opening pages all the more meaningful in retrospect. Readers who can’t get enough of graphic memoir, particularly the works of Alison Bechdel, are the ideal audience for this moving volume.
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