Things That Disappear
Shows Erpenbeck to be a worthy inheritor of this tradition.
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Something like cultural rubble ... Erpenbeck’s deft, metaphorical ‘ostranenie’—the Russian formalists’ term for artistic ‘defamiliarization’—makes one think [further] ... If it at times seems slight or scattershot as a freestanding book, it slots nicely into an oeuvre that captures with startling lucidity a modernity characterized by unrest, upset, and dissolution.
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Both peculiar and poetic ... Erpenbeck leaves it to her readers to assemble these enigmatic fragments into a meaningful whole. Those who indulge her idiosyncratic prose will be rewarded, finding in this slim book a wistful record of memory and loss.
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