Teeter-totters between overly simplistic and preachy at times. (And maybe that’s Shamieh’s point.) Some of Arabella’s inner monologues, for example, read like diatribes that aim to prove just how far and evolved the younger generations have come in matters of religion and national identity ... Shamieh’s debut is an astute, engaging portrayal of three generations of feisty, resilient women who are, each in their own way, forced to start over from the bottom and claw their way back to the top.
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