For readers familiar with his travelogues, these panels are far removed from those amusing anecdotes set in unusual locales. What stays the same is his understated humour and ability to take on the role of impassive observer, enabling us to draw our own conclusions at leisure ... There is a looseness here that is almost immediately apparent, a sense of freedom that presumably comes from not being compelled to draw within the prescribed boundaries of a travelogue. It explains the somewhat experimental approach, hinting at a past career in animation, and creating the impression of being allowed to look at practice sessions before a main event. It’s the equivalent of being invited to a soundcheck before the concert has begun ... There is much to enjoy here because it reveals a lot more about the artist than his more popular, often autographical work does ... There is much tongue-in-cheek wit here — thanks in no small part to translators Helge Dascher and Rob Aspinall — revealing a playfulness to Delisle that is often lost in his weightier observational humour about places like North Korea and Jerusalem ... The nicest thing about World Record Holders is how it gives us an inkling of the breadth of Delisle’s imagination. Unfettered by time, or the need to chronicle the history of a place, he soars, and it makes for a wonderful sight.
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