The Most
...a smoldering, Cheeveresque mediation on mid-century, middle-class disappointment.
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This superb short novel, about a marriage at its breakpoint, deserves to become a classic.
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Jessica Anthony renders the pathos of older domestic dramas such as Revolutionary Road, but with an admirable economy of words and a creative omniscient narrator ... The narrator is not fooled, and neither is the reader. This technique elevates The Most from a simple marriage story to a portrait of an era, a minute event firmly entrenched in a larger world.
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