The dying Moon goddess enlists two young warriors to kill her tyrannical sons and return her bones to the sea...You’re both Jimenez’s reader and 'you,' who’s listening to and remembering your lola (grandmother in Tagalog) tell tales of the Old Country when you are/were a child...In your lonely, adult present, your dreaming spirit watches those tales reenacted by dancers in the Inverted Theater...Yet you’re also living the stories as each character—from bit-player peasant to powerful goddess...You experience Jun’s PTSD, Keema’s disability—never explained, simply a part of him—and all the guilt, anger, pain, fear, joy, desire, and love that make Jimenez’s tapestry so beautiful...It’s both like nothing and everything you’ve ever read: a tale made from the threads that weave the world, and all of us, together...Lyrical, evocative, part poem, part prose—not to be missed by anyone, especially fans of historical fantasy and folktale.
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