Time Zone J abandons panel borders and any conventional presentation of setting and character, unfolding as one long continuous image that embeds the narrative in a sea of other drawings. The printing for Time Zone J is particularly distinctive because the pages are folded over and uncut, allowing the art to flow seamlessly across the page turn. The stream of consciousness is never interrupted, and it’s a prime example of how Drawn & Quarterly’s impeccable production design supports the artist’s vision ... reading Time Zone J feels like traveling to a place that exists on no map, pulling you into the chaotic landscape of Doucet’s mind. It’s an initially intimidating read, demanding that readers rewire their brains to process the rush of visual stimuli and Doucet’s rapidly shifting thoughts. The book was drawn from bottom to top and should be read accordingly, but even then, it’s not always clear which way the eye should move. That’s a feature, not a bug, and there’s a level of trust involved here that makes for an especially rewarding experience if you embrace the spontaneity of her work, which is driven by the mercurial sensations of memory.
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