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Tunnels

How to describe this complex and thrilling book? Think of it as Raiders of the Lost Ark as reimagined by a feminist Hergé, with a few light top notes of Raja Shehadeh thrown in for good measure (the latter being the Orwell prize-winning Palestinian lawyer who writes about hiking in the occupied territories). Every page is gripping, every frame profoundly political. If Modan has given us a tightly plotted adventure story, she has also delivered a brilliantly daring satire ... To have built such a wonderfully witty and enjoyable comic on such vexed territory is quite some achievement. But then, Modan is a uniquely talented artist and writer.
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Tunnels Modan’s newest book, is also her most overtly political, though at first it doesn’t appear so ... by Page 55, Modan has us visually slam right into the gray concrete slabs that make up the separation wall skirting the occupied Palestinian territories ... Modan never stops being entertaining and drawing on genre — in this case, an absurd 'Seven Samurai' plot — as Nili pulls together a motley crew for the job, including a bunch of goofy young settlers and a Palestinian man named Mahdi whom she met on childhood digs with her father ... It’s a mix of motives that leads to near disaster, but also shows the ways Modan understands her part of the world: a place that must learn to better live with the friction of competing narratives.
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Filled with intrigue, adven­ture, and humor ... In graph­ic nov­el for­mat, with col­or pan­els filled with sly visu­al wit, and with a focus on an inci­sive explo­ration of human nature, Rutu Modan skew­ers many of the pre­ten­sions and pur­port­ed truths trum­pet­ed by archae­ol­o­gists, aca­d­e­mi­cians, antiq­ui­ties deal­ers, and col­lec­tors ... Con­tro­ver­sial Israeli polit­i­cal issues of the day form the under­pin­ning of the sto­ry but, although they are vital to its under­stand­ing, pol­i­tics and soci­etal issues do not eclipse the adven­ture, the char­ac­ter­i­za­tions, or the spec­tac­u­lar art that is filled with facial expres­sions, inter­est­ing detail, and over­all charm. Some of the larg­er pan­els are so filled with action or with his­tor­i­cal res­o­nance that those pages seem to be self-con­tained sto­ries of their own; one notable exam­ple is a page depict­ing the exile of the Jews to Baby­lon. In oth­er pan­els, a sense of the Israeli land­scape is palpable ... Inter­est­ing and unusu­al, this book presents graph­ic sto­ry­telling at its best.
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